Title: Flame in the Mist
Author: Renee Ahdieh
Rating: 3/5 Stars
Book Depository || Dymocks || Booktopia
Disclaimer: I received a free copy of this book from Hachette Australia/Date A Book in exchange for an honest review.
I read this book as part of the #AsianLitBingo challenge, you can check out my TBR for it here.
While Flame in the Mist was an enjoyable read overall, I felt somewhat let-down because of its immense potential to be remarkable. The premise promised greatness: a fantasy set in an alternate feudal Japan, featuring a cross-dressing noble lady skilled at invention and her time amongst lordless samurai warriors. I expected Flame in the Mist to sweep me off my feet. However, issues with inconsistent character development and pacing meant the book missed the mark for me.
Flame in the Mist follows Mariko Hattori, daughter of a prominent daimyou, as she attempts to exact her revenge on The Black Clan. She believes this notorious mountain-based samurai gang is responsible for the death of her servants and foot soldiers, as part of an effort to assassinate her. Mariko infiltrates The Black Clan by disguising as a young male traveler. Before she knows it, Mariko is embroiled in a net of intrigue involving a lost shogun and a struggle for nationwide dominance.
First of all, I just wanted to say that Flame in the Mist is not retelling of Mulan – because it’s something I keep hearing on Twitter. Both stories have a cross-dressing heroine, and that’s where the similarities end. Japan and China are separate countries, and Mulan is not a folklore they share.
One of the things I was glad to see in Flame in the Mist is how different Mariko is from Renee Ahdieh’s previous protagonist, Shazi. Mariko is more of an observer and a thinker, someone who weighs up all of her options before acting. Due to this, at times her narration can seem repetitive and sedate. Despite the her tendency to lapse into long internal monologues, I appreciated that Mariko was the main driver of her story. It’s her actions that continually propelled the plot forwards, in spite of the machinations around her.
I must admit that I found many of the secondary characters to be lacking in dimension. Aside from Okami and Ranmaru, who had development thanks to their many interactions with Mariko – the rest of the cast suffered. I never felt that Mariko formed am authentic or lasting bond with The Black Clan. Similarly, the side story featuring Mariko’s twin brother, Kenshin, and his love interest fell a little flat. The book did try to address the sexism inherent within Mariko’s society, and I commend it for featuring several key female characters. Towards the end, there are hints that more of these characters will take centre-stage in the sequel – so I look forward to seeing the gender roles explored further.
My main issue with Flame in the Mist came from most of the book’s characterisation being told rather than shown. The book kept telling me about the brilliance of Mariko’s mind, how mysterious Okami is, how Ranmaru’s presence exudes power and command – but I was never convinced as they did little to back these claims up. The primary romance in the novel also suffered due to similar lack of development. One moment, our protagonists were eyeing one another with disinterest and hostility, the next they were utterly consumed by lust. I did like the interactions between them once the romance begun, but I am still perplexed on how it happened.
As for the world building, I admit I was a little disappointed by Flame in the Mist’s vision of Japan. Having read The Wrath and the Dawn, I know the author is capable of ensnaring all of our senses when it comes to setting. The Japan in Flame in the Mist seems a bit like a theme park. Samurai? Check. Emperors? Check. Maiko and geisha? Check. Teahouses? Check. Ninja? Check (you can’t tell me that Mariko’s inventions aren’t directly copied off ninja devices!) Youkai? Check. Lengthy description of kimono? Check. I also found the use of the Japanese vocabulary inconsistent and confusing, as it seems the author could not decide whether she wanted to use the English or the Japanese equivalent of certain words, and constantly fluctuated between them. Mercifully, this was limited to the first few chapters of the novel.
Overall, I am still invested enough in the story to check out the sequel. I would recommend it if you’re looking for a non-Western YA fantasy – especially as it seems I am amongst the minority when it comes to this book.
Have you read Flame in the Mist? What are some of your favourite books set in Japan?