Title: Wild Beauty
Author: Anna-Marie Mclemore
Rating: 5/5 Stars
Book Depository // Booktopia // Dymocks
Disclaimer: I received a copy of this book from the publisher and Netgalley in exchange for an honest review.
Wild Beauty, like all of Anna-Marie’s Mclemore’s previous books, is filled to the brim with enchantment and beauty. The story contains all of the elements of a fairy tale: forbidden love, a family curse, an enchanted garden – mixed in with heartfelt exploration of sexuality, gender, and socioeconomic divide. Wild Beauty is a tale to be savoured, especially on warm spring days where fresh blooms are in sight and life is brimming with unexplored potential.
The Nomeovildes women have inhabited La Pradera for more than a century, locked to the place by a dark legacy. With the Nomeovildes’s natural gift, La Pradera flourishes with lush vegetation and fragrant blooms – but should any of the women try to leave La Pradera, they succumb to an agonising end. Even more tragic is a powerful curse which erases any person the Nomeovildes women loves too deeply. They’re not only physically trapped by this otherworldly garden, it also emotionally separates them from the rest of the world. In Wild Beauty, we watch as the youngest generation of Nomeovildes women traverse their savage inheritance.
Wild Beauty is written in Anna-Marie Mclemore’s signature whimsical yet intimate style. I’m continually floored by how she manages to blend magic with heart-rending realism. Although magical realism is a subgenre I absolutely adore, at times I find it difficult to relate to the characters within these stories. This is never the case with Anna-Marie’s books, especially in Wild Beauty. All five of the Nomeovildes ladies have noteworthy characterisation, despite the relatively short length of the novel. Fel and Estrella’s narrative voices are distinctive, yet both manages to retain a lyrical cadence that I found arresting.
Aside from the visual wonders in Wild Beauty, the book is also rich in representation. All five of the Nomeovildes girls are initially in love with Bay, a genderqueer character. The novel portrays the fluidity of sexuality, and throughout the course of the book we witness many different kinds of love. Without giving too much away, Fel’s character arc was also an excellent commentary on race and class. Wild Beauty is brimming with hope and warmth, despite the dark and oppressive atmosphere of its setting.
Speaking of La Pradera, I don’t think any review of Wild Beauty could be complete without mentioning its haunting setting. To the Nomeovildes, La Pradera is a garden, a refuge, a home, but it is also a prison. The land thrives under their ministration and grow rich in beauty, but it also guards these women jealously – crushing them down whenever they attempt to leave. Within the gardens, the reader will find blooms of every kind, moonlit spring nights, and dozens of mementos from generations of hopeful Nomeovildes girls. The complex relationship between the family and their land is one of the central focus of the novel, and I found the resolution absolutely satisfying.
As a lover of slow-burn romance, I was completely drawn in by the romantic entanglements in Wild Beauty. It felt forbidden yet inevitable, and I loved that it began as a tentative friendship and built upon a foundation of trust.
This is a book I can see myself revisiting time and again. I highly recommend this, along with Anna-Marie’s entire backlist, to everyone who wants to lose themselves in the magic of stories.